Those four years, I wrote compulsively, afraid I’d one day forget the details of days that were starting to melt and months that were starting to blend. At 18 I started marking time by reference to days out drinking and categorizing eras according to romantic interests of the moment. In between the bleeding, blurry, evenings, I documented the color of the leaves in my morning tea, described the exact shade of gold flecks found in his eyes only in a certain light, and recorded the pattern of sunlight creeping in through the pergola on the cafe patio. I was wearing a plaid skirt and fishnet shirt that day, and carefully noted clouds in my coffee on lunch break. This was the summer I worked in a teeny bopper retail store; on this particular day, my friends had gone skydiving.
I did not know that when I was 33 I’d read the deliberate loops and lines and still could not remember anyway; familiar though the handwriting may be, it was as if it was written by a stranger. This stranger was a bit neurotic and disjointed, vaguely touched by hackneyed angst. The whiskey-laden scrawls on some of the pages were less grand than Jack Daniels would have you believe, but rather, vacillated between nonsense and maudlin nostalgia. The stranger woke up at 9:00 in the morning on a Saturday one weekend (early for her), to a phone call from an old man from the coffee shop who wanted to talk about nothing in particular. She thought he had meant to call her friend, but she ended up talking to him anyway, after taking a seat on the kitchen counter of the sorority house, apple in hand.
The next time I saw the old man, he told me the tragic tale of his wife inexplicably leaving him, fleeing to Japan, and absconding with their child, when in reality he had been convicted of possession of child porn.
I eventually went skydiving, and it felt like flying, but I didn’t write about it.